比叡山 Garden in the Sky

This week I’ve had the pleasure of having my parents visit me. This is particularly good for my touristy activities which, aside from the odd temple visit, have been on the back-burner because of university work – by the time I’m done in the afternoon I’m a bit too tired to go out. Having my parents visit has made me realise that I can go out in the afternoons after lectures instead of going back to my room and napping away the valuable sunlight hours (it gets dark around 5:30 now). While we’ve visited several places that I’d been to before this week, I’ve also seen some new parts of Kyoto. On Sunday we took the train from Demachiyanagi Station (出町柳駅) up to Mount Hiei (比叡山). I had seen that you can get cable cars up the mountain and I’d been keen to check it out for a while.

The train to Yasehieizanguchi station (八瀬比叡山口駅) only takes around 15 minutes and costs 240円 (£1.30). The train takes you out of Kyoto to a small town surrounded by mountains with the Takano river (高野川) running through it (the same river carries on through Kyoto). The cable car is very close to the station and runs on both weekdays and weekends – I think its more frequent on the weekends, running every 20 minutes or so. While we waited for the cable car dad and I had a look around the town, walking up to a monument that appears to be celebrating the founding of the ward that is occupied by Mt Hiei. In any case, it was a pleasant (very short) walk up to the monument and back. The walk was through a small forest of maple trees which will look spectacular in a few weeks when Autumn hits Kyoto.

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We then got the Eizan cable car (叡山ケーブル)followed by the ‘Ropeway’ (叡山ロープウェイ) up to the top of the mountain. The cable car is essentially a tram up the mountain while the ‘Ropeway’ is a suspended cable car. The first cable is very long and definitely necessary and the second covers the short distance to the top – it is possible to walk up to the ropeway from the top of the cable car, it probably wouldn’t take that long but it is pretty steep. The cost of a return ticket from the bottom to the very top, including a ticket to the garden museum, is 2100円 (£12). It is definitely worth getting the ticket with the garden museum included (if you plan to go) at the bottom of the mountain as the museum ticket is only about 400円 extra and at the top the tickets cost 1000円. The time between the cable and the ‘ropeway’ is only about 5 minutes (so efficient) so you can’t really spend a lot of time looking at the view before boarding (obviously you could wait and get the next ropeway if you wanted to).

The views from the cable car and the top were spectacular – you can see the whole of Kyoto from the cable and when you get to the top you can look over the other side of the mountain at Lake Biwa (琵琶湖), the lake over the mountains to the East of Kyoto. It’s worth a journey up the cable for the views alone, we were lucky to go on a clear day so we could see the mountains fading into the distance – they looked like giant rumpled up cloths stretching into the haze, it was spectacular.

An interesting aside about Mt Hiei: while I was looking up more about the mountain this evening I learned that some monks do a thousand day marathon walk around Mt Hiei over the period of 7 years (doing stints of 100 or 200 days at a time), covering the same distance as walking round the whole world! Only 13 monks have completed this since WWII. Here is the article on it if you want to check it out, pretty interesting stuff.

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Very near to the top exit of the ‘Ropeway’ is the entrance to the ‘Garden Museum’ (ガーデンミュージアム比叡), a European-style garden designed to reflect the works and subjects of Cezanne, VanGogh, Renoir and other impressionist painters. At this time of year it was amazingly colourful and quite the contrast to the stark rock and tree oriented Japanese traditional gardens. They had also dotted around prints of the aforementioned artists’ works, probably to evoke a more ‘European’ atmosphere and remind us of the source material. As it is at the top of the mountain you can enjoy the flowers and the views at the same time. In a few weeks it will be even better with the Autumn colours – there was a bit of red but you can tell that in a few weeks the mountain will be cloaked in the robes of Kyoto’s Autumn.

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They also had a special Halloween theme at the garden which meant that they had some pretty large pumpkins (big orange ones, not tiny green Japanese ones) and ‘trick or treat’ posters dotted around the park (which looked pretty out-of-place). Japan has gone pretty Halloween-crazy in general – there have been Halloween decorations in all the shops for weeks and the Halloween-party-period seems to have started last weekend and carries on over this weekend coming. I hate to think what the buildup for Christmas will be like – I’ve already seen a guy dressed as santa (though I fear it was a Halloween costume) and some snowy wreaths out and we have over 2 months to go!

P1000974P1000933I’ve just noticed they didn’t do their pumpkins properly – they seem to have used marker pens to make the faces instead of cutting them out. Sub par.

The gardens were fantastic and fairly empty – a good trip away from the maddening crowd. Most people travel up to Mt Hiei to visit the temples (which I will do next time!) and totally ignore the garden. There is also a cafe (Cafe de Paris, no less) which does really nice cakes, proper tea (with milk), coffee and probably does a decent lunch.

We headed down just before sunset (the last cable down is at 6:04) in search of dinner, enjoying the view of Kyoto on the way down. I would allow around 2 or 3 hours to properly appreciate the gardens and the view. Combined with one of the temples you could easily spend a whole day on the top of Mt Hiei.

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鞍馬の火祭 I See Fire…

On Wednesday I returned to Kurama for the fire festival (鞍馬の火祭り – Kurama no himatsuri), an annual event that sees thousands of people flock to the tiny town of Kurama in the north of Kyoto to enjoy all things flammable. Japanese Wikipedia informs me that the festival was established by order of the Emperor in 940 in order to distract the people of Kurama from the alarming frequency of earthquakes and subsequent natural disasters. The Kurama fire festival is on the same day as the Jidai Matsuri (時代祭), a festival that celebrates Japanese history. I will talk about this in a different (shorter) post as otherwise this will be very long and very picture heavy (its picture heavy anyway). Suffice to say that by the time it was time to go to Kurama I was already pretty worn out.

Lexi and I went to Kurama early, setting off from Demachiyanagi station (出町柳駅) around 4. I would highly recommend going early as it gave us the chance to enjoy the town before it became crowded and look around the area before it got dark. The train was packed out even with us leaving early, but we were lucky enough to get seats. On arrival it was clear that they were expecting a flood of people – there were hundreds of officials wielding what look like lightsabers – glow in the dark batons for directing, as well as megaphones. There were also braziers and torches waiting to be lit everywhere. It was already pretty busy but the crowds thinned out as we left the station and walked through the town. The first picture here is of tanuki, a creature native to Japan, though I’m sure normally their expressions aren’t quite so pained.

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The first time we visited Kurama we went straight to the shrine without exploring the town so I really enjoyed looking around. It is surrounded by tall evergreens and has a stream running through it. We crossed the stream and walked down by the trees for a while. The trees loomed over us like Mirkwood – I got the feeling that if we went in we would never find the path again.

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As we walked through town we saw that many of the houses had put up special displays for the festival; they had opened the sliding shutters at the front of the house to display screens, flowers and antiques in their front rooms. As we had arrived early we were able to wander down the street looking them.

P1000532P1000542P1000547 P1000550P1000568The night began at 6:00 with a man robed in white walking down the street heralding the start of the festival and calling for the torches to be lit. After this the children began the festival by carrying torches (with the help of parents and older siblings) and calling out ‘Sairei Sairyo!’ (祭礼最良 – literally meaning: festival, the best. In the hope that this festival will be the best one). It was quite windy at this point and it was a bit worrying seeing children as young as 3 or 4 carrying big burning torches with sparks flying everywhere. The light-saber-wielding attendants were shouting to the festival-goers that ‘fire is dangerous, please be careful!’ which apparently satisfies Japanese health and safety standards. To be fair, the parents kept a careful eye on their children and any torches or embers falling to the floor were quickly extinguished by a local.

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After a while we moved from where we were sitting and walked down the hill further into town as it looked like something interesting was happening. This was a mistake – we ended up in a horrific queuing system that took us off the road where the festival was and round the backs of the houses to the bottom of the hill. This detour took about 20 minutes and involved a lot of mud and penguin shuffling while the officials used their megaphones to warn us about the mud and the danger of falling into the stream.

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Such Fun

 

After escaping the line we found ourselves back at the station and subsequently heading back up the hill. The benefit of this brief foray into the mud was that we got to see a more active part of town, including the bonfires. The small children were now safely back indoors and the men were carrying huge torches up through the town – the main festival was beginning. Also I failed to mention earlier but a lot of the men were wearing skirt-like things that were left open at the back to expose their bums. I don’t think they’re in any of the decent pictures I got so you are likely spared the sight, though if you want you can try to find one in the above or following pictures. It’s a good thing it was a fire festival or they’d be freezing.

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We came to the end of the torch procession and joined the throng following the giant torches up the hill to the shrine. At this point the street was packed with people and we had no choice but to walk forward with everyone else. Though Japan is usually a very polite country there was a considerable amount of pushing (often done by tiny old ladies) and other people shouting not to push 押すな!(osuna!). We stopped when we reached the first shrine and watched the men hike the huge torches vertically into the air (they had been carried up the hill horizontally). There was some more shouting of Sairei Sairyou and drumming. They then continued on up the hill followed by the ever-growing crowd.

P1000784P1000781 At this point it was around 9:45 and we had been in Kurama since 4. As a result my feet were in pain and I was pretty exhausted. We decided that we should go back to the station when we passed it, as otherwise we would probably not make it back to the station until the festival was fully over – the current of the crowd could not be fought. As it was we made it onto the train about 45 minutes later (it took us about half an hour to cover what is usually a three-minute walk and we got into the train queue just as it started to get really busy). The train was packed so we had the joy of standing the half hour journey back to Demachiyanagi station. We stopped off at a cafe on the way back for some dinner, as sandwiches from the Konbini (コンビニ = convenience store) are not particularly nourishing.

Kurama fire festival is well worth a visit despite the volume of people attending. I would certainly say that we enjoyed it much more because we arrived early; otherwise your experience may be limited to standing at the back of a long procession and being able to vaguely see torches and hear drumming but very little else. Kurama itself is a great town with a beautiful temple complex (see this blog post) and well worth a visit outside the festival.