京都寺町通 Buddhas and Barbarians

Those visiting Kyoto for only a few days (or even a few weeks) tend to only see the famous temples of Kyoto, but I, having the luxury of time, decided that I should visit my local temples. Though they may not be as impressive as the likes of Fushimi Inari (the one with all the gates) or Kinkaku-ji (the one with all the gold) they have a rich history, and at this time of year any temple with maple trees looks fantastic. Both of these temples are on my road, which is indeed the ‘road of temples’ (寺町通 – teramachi-dori). It was also good to go somewhere close because today was bitterly cold – the humidity here means that the cold really bites.

The first temple I visited was Shojoke-in (清浄華院), a head temple of Japanese Pure Land Buddhism (also known as the Jodo sect). The temple’s name means to strive to reach a state of perfection – it translates to ‘pure petals’, referring to the petals of the lotus flower.

P1010935P1010953

Shojoke-in was originally a Tendai sect temple, founded by the monk Enin in 860. Enin is a figure I’ve learned about before – in first year I had to write about Japanese buddhism and its ‘Japanization’ – Enin was one of the monks that travelled to China to bring back texts and learning. There were several monks at the time that travelled to China to legitimise their knowledge of Buddhism; China was seen as a place of Buddhist learning and Chinese temples and Buddhist masters were greatly respected by Japanese Buddhists. China was the powerhouse of Asian learning and culture at this time (as it was for most of history) and its influence was felt all over Asia. Upon returning to Japan, Enin founded many temples, one of which was Shojoke-in, originally founded near the imperial palace as a training temple.

P1010941

In the 13th Century the Emperor at the time granted the priest Honen the temple for use as a Pure Land Buddhist temple. Honen was another great monk in Japanese Buddhism – he is considered the founder of Japanese Pure Land Buddhism. Pure Land Buddhism existed in the rest of Asia, but had not gained popularity in Japan. Honen read a text on Pure Land Buddhism that originated in China and began to spread the message throughout Japan.

P1010947

This sect of Buddhism believes that rather than meditation or other methods to reach enlightenment, people should chant the name of the Amida Buddha to gain salvation and be allowed to travel to the ‘Pure Land’, a paradise. Pure Land Buddhism was originally based on the view that they were living in the ‘Ending of Times of the Law’; there was the view that the world and morality were decaying and people could no longer attain enlightenment, only seek salvation.

Honen Preaching (14th century print)

The Pure Land Buddhist sect’s tendency to invalidate other sects’ practices such as celibacy and meditation led to the main sects of Buddhism in Kyoto petitioning the Emperor to exile Honen. While this didn’t occur straight away, there was a scandal in 1207 in which two of his supporters were suspected of using the chanting time to conduct sexual liaisons. This sex scandal led to the Emperor banishing Honen and executing the two supporters. The chanting of Pure Land Buddhism was banned in Kyoto from 1207 until 1211, when the ban and Honen’s exile were repealed. He died a year later.

P1010946

Shojoke-in became a head temple due to its proximity to the imperial palace; several members of the royal family became part of the priesthood and this gave it fame and importance. Though it was ruined in the Onin civil war (the war that started the ‘warring states period’ of Japanese history) it was rebuilt in the 16th century. The buildings of the 16th century remain standing today.

P1010938

I then crossed the road and visited Nashinoki Shrine (梨木神社), a shrine founded in 1885. Despite being much younger than Shojoke-in and most of the other shrines in Kyoto, the architecture remains in the traditional style. Well, besides the huge building site just outside the shrine where they’re building a load of apartments. The crane looming over half of the grounds did somewhat ruin the timelessness of the shrine.

P1010981 P1010988P1020002

Nashinoki shrine was constructed to enshrine Sanjo Sanetsumu and his son Sanjo Sanetomi (in Japanese surnames go first), both of whom were statesmen in the 19th Century. Their lives span one of the most interesting and pivotal moments of Japanese history: The Meiji Restoration. The father served three generations of Emperors from 1812. Though he did not live to see the Meiji Restoration, he fell out of favour with the shogunate for supporting the restoration of the imperial family and was exiled. His son continued his political ideals and was a key figure of the Meiji government after the restoration of 1868.

P1010991P1020015P1020019P1020022 P1010994

The son, Sanjo Sanetomi, was a figurehead of the ‘Sonno Joi’ (尊皇攘夷) movement. Sonno Joi was a slogan that means ‘revere the emperor, expel the barbarians’, and was coined in reaction to the ‘opening’ of Japan by Western powers in the mid-19th century. The Tokugawa shogunate was perceived as failing to manage the ‘barbarians’ that were demanding access to Japanese trade (Japan had a policy of total isolation for over 250 years during the Tokugawa period). The Tokugawa Shogunate were unable to expel the foreigners despite the people’s wishes and so many samurai and Daimyo (regional lords) decided that power should be returned to the throne. After all, a military government derives its legitimacy from military strength – if it cannot expel an invading enemy it loses its right to rule. The Emperor regained power after centuries of military rule in 1868.

Samurai under the ‘Sonno Joi’ banner

“Expelling the Barbarians”

 Both the shrine and the temple were practically empty (I went at 3pm on a Tuesday). It feels a bit like  intruding into a home when no one else is in the temple, even though I knew both were open. I managed to get my book stamped at Shojoke-in by a monk for 300円 but at Nashinoki Shrine there was a stamp booth but no one around to stamp it. I plan to go back to get my stamp on the weekend when they’ll be more busy.

P1020001P1020014P1020047P1010996

These shrines, though not strikingly spectacular, were worth the visit for me at least. I got to see beautiful crimson leaves and learn some more about the history of the area that I live in. If you visit Kyoto and have time I would recommend visiting some smaller shrines – many have hidden treasures in the form of gardens or beautiful buildings, and have the added bonus of being far from the maddening crowd.

Also I’ve finally made an archive page (located in the top menu) so if you feel like checking out my other posts its now a lot easier!

東福寺 Autumn Aflame

Yesterday was a beautiful Autumn day, so what better to do than visit another Temple? I got on the train from Demachiyanagi station and headed to Tofuku-ji, one of the temples renowned for its beautiful Autumn leaves. The leaves will be even better in a few weeks but if I saw all the temples’ leaves at their finest I’d be rushing between them all week. The time when leaves turn red in Japan is called Koyo (紅葉) and its one of the two best times to visit Kyoto (the other being cherry blossom season).

Tofkuku-ji (東福寺) is a Buddhist temple founded in 1236. It was inspired by the great temples of Nara, Todai-ji (東大寺) and Koufuku-ji (興福寺) and its name is a combination of those two temples’ names. It is one of the 5 great ‘mountains’ of Kyoto, the ‘Gozan’ (五山), which are the 5 main Zen Buddhist temples in Kyoto. Tofuku-ji is ranked number four out of five – I’m interested to see what number one is like!

P1010768 P1010763e P1010829As is the norm for almost all temples in Kyoto, Tofku-ji is not the original building – it burned down. This is what happens when all your national monuments are built out of wood. It was reconstructed in the 15th century and as is custom it was rebuilt exactly to the plans, keeping it in the style intended when it was first built. In Japan you don’t get the interesting amalgamation of architecture that you sometimes get in European churches and castles, where burned or destroyed sections are brought ‘up-to-date’ according to the period. It shows a respect for the past that throughout the centuries Japanese monks and architects have preserved original architectural styles (while creating new ones by constructing new buildings instead of ‘improving’ old ones).

P1010798P1010902 P1010885 P1010914P1010921

Tofuku-ji itself is free but you have to pay to enter the gardens, and its well worth paying a visit. The entrance price is 300円 (£1.60) and gives you access to the autumn garden and the zen gardens. The autumn garden has a viewing platform that overlooks the tops of the trees, the crimson leaves look like a sea of fire between the platform and the temple.

P1010760 P1010775 P1010788P1010779

The platform was pretty busy (pretty much everyone from Kyoto comes to see the koyo at the famous temples) but its wide enough for everyone to take a good picture. Once you leave the platform you can walk down through the trees – the walkway is levels of stairs and paths all the way down to the stream that flows under the temple. Though it’s a short path its easy to spend ages here just looking at the trees surrounding you. I was behind a couple dressed in kimono and  yukata, enjoying the koyo in traditional Japanese dress – an anachronistic image that reminded me that people have been visiting Tofuku-ji to see the koyo for centuries.

P1010770 P1010825 P1010853P1010837P1010845P1010857P1010858P1010861P1010871P1010874

As well as the seasonal Autumn viewing, Tofuku-ji also has a zen garden and a moss garden. The moss garden was designed in the 1930s and is considered an example of the renaissance of Japanese garden techniques in the 20th Century. The designer, Shigemori, argued for a ‘hybrid’ approach – prior to his work people either remained stringently traditionalist or modernist, gravitating to these extremes. Shigemori preferred to build upon previous garden designers while innovating, progressing the art rather than clinging to an extreme.

The zen garden is comprised mostly of very carefully raked gravel, as is common in Japanese zen gardens. There is a bench that you can sit on and contemplate the gravel but I elected to continue looking around. I think it would be very relaxing for someone who enjoys patterns and order – the gravel is uniform and very carefully tended to, helping to contribute to a sense of zen meditation and clear-mindedness.

P1010805P1010815 P1010811P1010801 P1010863P1010911

Once I left the temple gardens I had a look around the main temple complex itself. The great gate is one of Japan’s national treasures;  it is the oldest great gate (山門 – sanmon) in Japan. Tofuku-ji actually has 24 sub-temples, which are rarely visited by the public, maybe I’ll pay them a visit next time.

I also found the stamp booth and got my book stamped. This time there was a choice between hand calligraphy (for 500円 – £2.70) and a stamp that looks like calligraphy (300円 – £1.60), I went with the stamp as the lady seemed quite keen that I picked that one (probably didn’t want to have to write it), but she was very nice and complemented me on my Japanese (as old ladies are wont to do).

P1010881P1010895 P1010897P1010926I really enjoyed my trip to Tofuku-ji, espeically as the sun was being kind and shone throughout my trip – it’s amazing the difference a little sunshine makes to the beauty of the gardens. I would recommend visiting Tofuku-ji, especially if you visit in Autumn. You could combine it with a trip to Fushimi-inari (the shrine with thousands of gates) as the train stations are next to each other on the Keihan line. The station is a short journey from Kyoto station or from North Kyoto (10 mins from Kyoto station, 20 from Demachiyanagi). Apparently the temple also has a huge painting of the Buddha on his deathbed but the last time they let the public see it was 2003, so I wouldn’t hold your breath on that one.